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GRAMMY Award winning American Roots artists Cathy Fink & Marcy Marxer join with Chinese classical hammered dulcimer player Chao Tian, and award-winning banjoist, fiddler and singer Jake Blount in a show that combines music from China to Appalachia and beyond.
Instrumentation includes yangqin (Chinese hammered dulcimer), gourd banjo, five-string banjo, ukulele, guitars, dumbek, cello-banjo and mandolin.
The group’s repertoire includes traditional Chinese and Appalachian music as well as contemporary and traditional music from around the world. Unusual combinations explore new arrangements to old music, such as “Dark Eyes.” Ukulele, yangqin and guitar create a new pallet for this Russian folk song turned jazz manouche tune. Cathy and Marcy join Chao in singing a Chinese lullaby, “Nani Wan” and Chao easily adds her love of American Old-Time music to fiddle tunes and songs.
From China to Appalachia was borne of a friendship and mutual love of musical exploration experienced in jam sessions that inspired a show speaking to the power of music to connect cultures. The trio’s inaugural performances include the Music Center at Strathmore (N. Bethesda, MD) and the Ashe Civic Center (Ashe Co., NC). On their own, these awesome artists have performed at the John F. Kennedy Center for the Arts, Smithsonian Institution, Metropolitan Museum of Art, on PBS and National Public Radio.
ABOUT CATHY FINK & MARCY MARXER
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TWO-TIME GRAMMY® Award Winners, Cathy Fink & Marcy Marxer are master musicians with a career spanning 40 years. Their superb harmonies are backed by instrumental virtuosity on the guitar, five-string banjo, ukulele, mandolin, cello-banjo, and more. Their repertoire ranges from classic country to western swing, gypsy jazz to bluegrass, and old- time string band to contemporary folk (including some original gems). Cathy & Marcy have performed at hundreds of bluegrass and folk festivals and taught at close to 100 music camps worldwide. Happily known as “social music conductors” ready to start a jam session, a community sing, or create a music camp helping others learn to play and sing, the duo’s past students include Kaki King and Rhiannon Giddens.
ABOUT CHAO TIAN
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Classically trained since the age of five, Chao Tian spent years working as an instructor and the director of the Arts Education Center at Beijing Language and Culture University (BLCU). She is a founding member of BLCU Arts College's music department and has been appointed as an officer of the International Culture Exchange Program in 2019.
Chao has performed in over 30 different countries and regions across the globe and collaborated with numerous talented musicians in many unprecedented projects. In 2015, she was accepted into the prestigious Artist in Residence program at the Music Center at Strathmore, where she met Cathy Fink. Cathy has served as a mentor-in-residence in that program for fifteen years.
ABOUT JAKE BLOUNT
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A powerfully gifted musician and a scholar of Black American music, Jake Blount speaks ardently about the African roots of the banjo and the subtle, yet profound ways African Americans have shaped and defined the amorphous categories of roots music and Americana.
His 2020 album Spider Tales (named one of the year’s best albums by NPR and The New Yorker, earned a perfect 5-star review from The Guardian) highlighted the Black and Indigenous histories of popular American folk tunes, as well as revived songs unjustly forgotten in the whitewashing of the canon.
Jake Blount’s new album, The New Faith, is a towering achievement of dystopian Afrofuturism and his first album for Smithsonian Folkways (released September 23, 2022). The New Faith is spiritual music, filled with hope for salvation and righteous anger in equal measure. The album manifests our worst fears on the shores of an island in Maine, where Blount enacts an imagined religious ceremony performed by Black refugees after the collapse of global civilization due to catastrophic climate change.
Jake Blount’s music is rooted in care and confrontation. On stage, each song he and his band play is chosen for a reason - because it highlights important elements about the stories we tell ourselves of our shared history and our endlessly complicated present moment. The more we learn about where we’ve been, the better equipped we are to face the future.